Part Six: The Grand Tour

Mary Bennet 1804-1878

Augusta Mary Bennet was born at Goodwood, the Sussex estate of the Dukes of Richmond. She was the natural daughter of the 3rd Duke, Charles Lennox and his ‘housekeeper’ Mrs Mary Blesard Bennet, who was 30 years his junior, a former actress, and possibly a widow. The 1st Duke, Charles’ grandfather, had been the illegitimate son of King Charles II thus Mary was born into great wealth and a significant position in society, despite her illegitimacy. The Duke had married Lady Mary Bruce but the marriage did not produce any issue. Only after Duchess Mary’s death in 1796 did he begin his relationship with Mary Bennet, a noted beauty. The liaison produced three daughters: Elizabeth (d. 1807), Mary and Caroline. When the Duke himself died, also in 1807, his title and estate passed to his nephew, the son of his younger brother George.

The Duke did not forget his mistress and daughters. She was left a substantial part of his personal holdings, namely his London mansion and the entire estate of Earl’s Court. To each daughter he bequeathed £10,000, worth over a million pounds today. The pretty girls were now heiresses thus it is no surprise that they grew up to be society darlings.

The girls were raised quietly by their mother at the Dower House in the grounds of Goodwood until they were old enough to be presented at court, probably under the supervision of their Lennox aunts, notably Sarah Lennox Napier with whom the two sisters resided when ‘in town’. In 1823, he younger sister, Caroline –considered the most favoured of the two– married Sarah’s son, her own first cousin, Henry Edward Napier, bringing the two families even closer. The Bennet sisters were regarded as lively, intelligent and very beautiful,  at the forefront of fashion,  the toast of society.

In 1824, Mary and Caroline met William Light at the studio of the popular portrait painter Miss Charlotte Jones; from then on Mary and William became inseparable. As a close friend of her cousins, the Napier men, it was natural that William should often be in Mary’s company and an affection arose between them. She was 20, he was 38, but age was not necessarily an obstacle to their relationship at the time. She may have been besotted with the dashing older man who had an impressive military record full of adventure and danger, together with the extra frisson of his exotic heritage. The pair exchanged passionate letters in which he claimed he was not worthy of her, being without any fortune or prospects, to which Mary dismissively replied that she cared not if they were ‘as poor as church mice, for love would conquer all.’ Easy for a wealthy heiress to say. They were married in London in October 1824 and soon left for an extended honeymoon, a Grand Tour. It would be three years before they returned  home.

After an interval in England in 1827, called back by the deaths of Sarah Napier and Caroline’s two babies, William Light bought a schooner Gulnare – and when the mourning was over,  the couple returned to the Mediterranean, now sailing the Adriatic and Aegean Seas in the same rootless fashion until 1830 when they finally put down some roots in Alexandria. Legacy describes these years in some depth.

It is evident that by now the marriage was in trouble, problems which only deepened when Light left Mary alone in Alexandria whilst visiting England in service of the Pasha of Egypt. During this time, Mary met Captain Hugh Bowen at a ball  and began a passionate affair that ultimately destroyed her marriage when she discovered she was pregnant. In 1832 Mary and William agreed to separate, which caused a great scandal in London social circles. To avoid the inevitable fallout, Light remained in Egypt, while Mary settled in Genoa at her mother’s villa. Over the next few years she gave birth to two sons, fathered by Bowen, but both given the surname Light for form’s sake.

Although Mary had been cut off by her family on account of her outrageous behaviour, amongst the expatriate community in Italy the lively beauty soon established herself as quite the doyenne of fashion and good taste. Mary’s relationship with Bowen came to an abrupt end in 1835, followed by his complete mental breakdown. Captain Bowen was returned to England where he was committed to a lunatic asylum in London.  

Mary seems to have taken a new lover around 1834-5, who may have been the controversial and much older English writer and poet, Walter Savage Landor, whose own marriage coincidentally ended in the same year that Mary gave birth to a daughter Bianca Mary (Blanche) Light, known locally as ‘Landor’s girl’. By now she was living in Florence at the Villa Casina Feroni. Landor and Mary were not together for long, however; in 1836 he returned to England, eventually settling in Brighton. In 1839, Sandor learned  Bowen was seriously ill. Whether out of guilt or because they had once been friends, Sandor brought Bowen to his home, where Hugh died in August of that year.

In 1841,  now officially a widow since the death of William Light in 1839, Mary married Alfred Lambert to whom she had a son and a daughter. This marriage was also ill fated and the two eventually separated. From then on, there were other affairs, but no further children; Mary lived her life her own way, refusing to conform to society’s rules.  She was to remain in Florence for the rest of her life, passing away in 1878 at the grand old age of 74 at  her home, Villa Corsi. Like her aunt Sarah Lennox Napier –with whom she shared an independent and wilful spirit– Mary also went blind in her old age.

Mary Bennet 1824,

probably by Miss Charlotte Jones

Goodwood Estate, Sussex

[Photo Credit: Wikipedia, Ian Stannard]

An Engraving of Goodwood House 1829

[from ‘Views of the Seats of Noblemen and Gentlemen by J.P Neale et al

The Collection of The Di Camillo Companion Ltd

The Gulnare in the Mediterranean c 1830

[Painting by William Light from the State Library of South Australia Collection]

Caroline Bennet Napier, Florence 1835

Richard James Lane after Seymour Stokes Kirkup lithograph

[Credit: National Gallery Collection]

Capt. Henry Edward Napier (1789-1853)

Artist Unknown

From www.florin.ms: The English Cemetery of Florence

Walter Savage Landor (1775-1864)

[by William Fisher 1839 National Portrait Gallery